![]() ![]() With a mixture of exciting visuals and an electric light show, the professionalism was something to behold with audience member’s treated to a seamless performance. Although he was not closing the night, it could have been his own show, with the crowd in the palm of his hand. This was then followed by the track’s second movement, I Still Can’t Stop. One of these being arguably his biggest success I Cant Stop.Įasily one of the most well known three word vocals in dance music of the last decade, the crowd shouted the phrase at Flux before erupting on the dance floor screaming the synth line just as loud. Flux Pavilion, although only 28 years of age, is quite a veteran developing a large fan base early that obviously are still with him with the amount hype around the playing of older releases. From the get go it was all guns blazing as he put on a master class in all things dubstep and bass related. Sporting bright blue hair Flux Pavilion opened with one of his newer collaborations with Snails, Cannonball, followed briskly by the smash Bass Cannon. Anticipation was high with fans chanting, “Flux, Flux, Flux…” eagerly waiting his arrival. Enschway returns to Adelaide April 1 to conclude his tour.īy the time Enschway left the stage, the floor was almost full as the crowd moved to get a a good spot for the big Brit, Flux Pavilion. With a mixture of hard hitting trap heaters to get the rapidly building crowd jumping and Enschway’s almost signature future bass sound really giving his performance depth and reminder that he’s more than just your typical filler in the lineup. Enschway raised the intensity yet again and all a sudden it felt like you were at a festival, like the night’s headliners are so used to. Next to perform was Sydney’s Enschway, a future bass producer.Īlthough on support duties, Enschway is currently on his I’ll Wait Tour supporting his latest single with Sumthin Sumthin. With an extended lineup, sort of like a miniature festival, interstate talent GG Magree hit the stage followed by Adelaide’s very own Strict Face, contrasting Tech House vibes with tracks like GG’s breakout vocal performance of NGHTMRE and Zeds Dead’s hit Frontlines. With the first act commencing the evening at 7pm Adelaide’s very own Logs, Naish and Dancespace set the tone for the night to be. After his sold out blockbuster early last year, fans were ecstatic to see the edible DJ once again. It was to be his second time in the City of Churches with a stop over on his Ritual Tour promoting his latest single. Like Daft Punk and Deadmau5, Marshmello is the latest helmet wielding artist making waves. As for Marshmello, anonymity isn’t uncommon in dance music, as over time there has been a handful of artists with outfits more infamous than their music. He made styles such as Dubstep and Drum n’ Bass his that sent him skyrocketing, effectively bringing the underground scene to the mainstream. Saturday, March 4th, was no different as again BBE treated Adelaide to another night to remember bringing Bass Lords Flux Pavilion and Marshmello.įlux Pavillon off his own merit commercially introduced the world to a sound that before had been almost hidden in the dark corners of the internet and the garage raves throughout the UK. One such promoter is the up and coming BBE that recently have been at the forefront bringing dance icons such as Jauz, Carnage and Flosstradamus all with in the last year. Australia’s DNA ‘92, have thrown a house beat into the mix, then wrapping up the package is a masterful future bass take from future talent, Regions.Since the rapid decline of large scale electronic music festivals in Australia, the dance music devoted have seen a comforting increase in promoters bringing the world’s top dance acts to tour our shores. ![]() ![]() With a decidedly more mellow offering, remix competition winner, Mati makes his debut with Circus. ![]() No stranger to Circus Records, Yultron knocked up a bass-storming take on the track. New Mexico’s Hopsteady– having recently taken the bass music scene by storm – inject their own flavor while stylistically staying true to the original. Tech-step royalty, Black Sun Empire, have carved out their D’n’B re-envisioning of the track. The package features a number of artists from around the world, including some familiar names, and some less so. Now the best of these plus a few more officially sourced remixes see the light of day on the official “Pull The Trigger” remix package. “Pull The Trigger,” Flux Pavilion’s dance hit featuring UK songstress Cammie Robinson, dropped back in February alongside the equally successful “Cut Me Out.” Since it hit stores, a number of remixes have popped up online, both unofficial and via a huge remix contest. ![]()
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